Paints and pomegranates

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What a long, strange week it’s been. But enough about me.

Tuesday’s sketchjournal entry was really just playtime with a couple of colours I bought to celebrate the prettiness of the frosty autumnal weather: a half pan of dioxazine (Winsor Violet) watercolour and a tube of gold gouache. The scan doesn’t capture the shimmer, but I fell in love with the warm, pearlescent purple created by mixing the two.


I emptied out the student-grade watercolours from a lightweight Cotman box and squeezed gouache into the half pans: much faster and easier for sketching and journalling than having to faff around with the tubes every time, and my Winsor & Newton Designer’s Gouache seems to rewet pretty well.


As you can see, I decided to forget the ubiquitous pumpkin today and celebrate the fact that it’s pomegranate season. Pen, watercolour & gouache in Canson watercolour book.

9 May 2008

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Today’s journal entry was achieved despite many interruptions from the hyperactive small person whose shoes and nappy rash ointment you see here.


I find that lightly pencilling in a rough grid to use for my day’s sketches makes it easier to create a pleasing overall composition; breaking out of the grid in places also becomes great fun.

Pen, watercolour & Inktense in Canson w/c sketchbook.

I blame Nitsa!!

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COSTA COFFEE. Thursday 24.4.08 … How to justify a cappuccino & triple choc muffin at 8.20 on a Thursday morning? Make them your sketching subject. I seem to be channelling Anita today, so I can always blame her! She has influenced more or less every element of this sketch …


… from the use of sepia pigment liner to the cup of coffee I hadn’t planned to order to the desire to make more use of watercolour paper to the irrational urge to sketch my food to the purchase and use of a set of Inktense pencils to the postcard format to the gluing of a scrap of the brown muffin wrapper onto the page, the inspiring Nitsa has infiltrated my artist’s brain.

6×4″, sepia pen & white marker with Inktense pencils on watercolour paper.

Freesias

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Freesias, purchased today and rendered in Caran d’Ache oil pastel, directly from life, over three very enjoyable hours. The support is leaf-green Art Spectrum Colourfix paper.

I’m reluctantly posting a digital pic rather than a scan, due, not only, to lack of access to our home network (the complexities of modern technology!), but also to the painting’s overall “bigness and largity” – to quote Fast Show weatherman Willi Wooliman.

I’ll let you know the dimensions when I have access to the scanner again; and I will post a scanned image, to show you just how much vibrancy is missing from this one. In the meantime, I just had to share it. I am incredibly excited to be painting again!

Outside, Inside … Outside

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Jubilee Gardens, Ely, 7 Feb 2008, from life. Pen & watercolour in small hand*book journal


Sofa in the “Blue Room”, 9 Feb 2008 – a 20-minute sketch from life. Pen & wax pastel on blue art paper pasted across a double spread of my small hand*book journal. This is my #9 in the WetCanvas 100 Pastel Sketches Challenge.


London Plane tree, Dean’s Meadow, Ely, 14 Feb 2008, from a photo. Too cold to sketch out in the open, so I took a snapshot and uploaded it to my screen so I could try to untangle my subject. Sepia pen & wax pastel on yellow A4 Canford paper

EDM #137 Something turn-off-and-onable

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A couple of indoor sketches from January. The first is in Profipen & Aquatone, the second in Profipen & coloured pencil, both in my small hand*book journal. Not much to say about these, except that the mp3 player sitting in its customary spaghetti of wires is a Creative Zen Vision:M – because i(don’t)Pod. Oh, and that I’ll be a happy bunny the day our scanner is back in action, because some media just refuse to make friends with my digital camera.

EDM #137: Draw something you can turn on and off.

Spicing up Sunday

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I have my very own domestic god. Yesterday, he baked some subtly-spicy Sunday afternoon cinnamon biscuits, and the 3 of us devoured them eagerly.

Since my window of opportunity for uploading sketches is even narrower than the one I have for actually doing them, I figured I’d better share this now. A couple of strokes are still needed to redefine the shadow of the plate. It took 45 mins, and is my #8 in the WetCanvas 100 Pastel Sketches Challenge. Yum.

9×9″ oil pastel on dark blue Canford paper

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